Komorebi (2020), written for baroque string trio, was inspired by one of my daily walks from my home in Ann Arbor to the music school. It was in the fall, and Michigan had not yet been engulfed by the thick dreary clouds that descend upon us every winter. The warm sun was shining through the leaves which scattered and reflected the light, shades of orchid yellow and green sparkling like the most beautiful sequin dress — a phenomenon coined "Komorebi" by the Japanese. The wind was gently caressing the tree as it rocked the branches side to side, rustling and whispering as it passes through the leaves. It was a genuine, beautiful moment in a semester racked with anxiety and stress, a rare flash of unadulterated joy. Komorebi was written for the 2020 University of Michigan CoLab Concert.

The Lord's Prayer (2019) was commissioned by the Diocesan Boys' School Old Boys' Association for the 2020 Kobe Sing 'n' Pray chorus competition. The Lord's Prayer Our Father, who art in heaven, hallowed be thy name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us today our daily bread. And forgive us our sins, as we forgive those who sin against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, the power, and the glory. For ever and ever. Amen.

赤壁 (2018) was written for the Diocesan Boys' School and Diocesan Girls' School Senior Mixed Choir, led by Felix Shuen, one of my most important mentors who single-handedly led me to pursue music as a career. I am very grateful for Mr. Shuen's trust in me throughout high school, where he not only introduced me to choral music but also appointed me to be one of the chairmen of choirs and student conductor during my junior year. In return, I wanted to write a competition piece for his choir that would showcase its many strengths. I already had a very clear idea of what gestures I would incorporate in the music, having sung in the choir for three years previously, but the difficult part was finding the text - I wanted something that was epic and grandiose enough to warrant the huge sound that was in my mind. In the end, I chose the legendary War of the Red Cliff as my basis and started combining and adapting different texts about the battle. The finished piece is sung from the perspective of the renowned general Cao Cao, whose ultimate downfall in this battle marked the failure of his last chance to conquer the whole of China. This piece not only captures the sounds and atmosphere of the battle but also, more importantly, Cao Cao's reminiscence and hopelessness as it dawns on him that he has forgone his best opportunity to achieve his life goal - a haunting prospect that was the prime motivation in the writing of this piece. Text: 赤壁 對酒當歌，人生幾何？ 譬如朝露，去日苦多 東風大作，長江翻波戲浪 中江舉帆，軍皆立觀 火烈風猛，船往如箭 煙炎張天，雷鼓大震 老驥伏櫪，志在千里 烈士暮年，壯心不已